Author: Chuck Lowry
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ARP 8: Final Presentation
Formative Assessment: I found the formative assessment incredibly helpful, and I am very grateful to Mallika, Christin, Gem and Kelly for their insightful comments and feedback. The initial presentation acted as a space for me to formulate my ideas and make sense of the journey I have been on throughout the ARP. However, while I…
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ARP 7: Bibliography
I began the unit by expanding on material encountered during the IP unit, as my ARP developed directly from my earlier intervention design. I was particularly influenced by Sara Ahmed’s On Being Included (2012), whose accessible yet critical approach to institutional life resonated strongly with my own experiences of working with students. Ahmed’s emphasis on…
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ARP 6: Project Findings
I gathered research data at key points during the students’ collaborative project with London Contemporary Dance School (LCDS). This began with an interview with course leader Gabi Tropia, which helped identify the key issues to be explored through the research (addressing unconscious bias, discriminatory language, fosteing ethical collaboration and encouraging reflection on positionality). Data was…
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ARP 5: Participant Facing Documents
As the workshop was scheduled as part of the first years curriculum, I ensured that I contacted all of the students both in person and via email two weeks in advance of the workshop to explain the session content, context, and that their participation in the research was completely optional. I provided them with my…
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ARP 4: Research Methods and Workshop Plans
I decided on a research method that uses arts based qualitative and quantitative approaches. I adopted a mixed-methods, participatory approach in order to capture both measurable shifts in student understanding and the lived, relational experiences of collaborative practice. I chose methods that invited reflexivity, ethical engagement, and shared knowledge production, aligning with the values underpinning…
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ARP 3: Ethical Research Plan (Final)
Following on from Mallika’s feedback I redrafted the Ethical Research Plan. As well as the comments and thoughts laid out in the previous blog post, I also updated the form to encompass the following ethical concerns that arose through my reading of Ellis and Bochner (2006), Lenette (2023), and McNiff (2002). I came to realise…
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ARP 2: Ethical Research Plan Draft
At the start of the ARP unit, I felt overwhelmed by the scale of what I wanted to achieve with the intervention in relation to the time limitations of the term to create meaningful change. I felt concerned about creating a project that felt like ‘hypothetical social action’ as Helguera warned against. However, through discussion…
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ARP 1: My Research Question and Rationale
Research Question: How can collective manifesto making support students to reflect on their positionality and develop more ethical, caring approaches to collaborative filmmaking? Rationale: This research question emerged out of the IP unit, where I designed a manifesto workshop as an intervention to foster inclusive, anti-racist, and ethically engaged filmmaking practices among first year students on MA…
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IP Unit: Reflective Report
Introduction This reflective report outlines the development and critical evaluation of a inclusive pedagogical intervention I designed for first year MA Performance: Screen students; a Manifesto for Inclusive Filmmaking Practices workshop. The development of this intervention has been informed by my learning throughout this unit, and how I have applied this to the specificities of…
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Blog Post 3: Race
“How can I become something I can’t see?” (Sadiq, 2023). Asif Sadiq raises a crucial point in the conversation around diversity, equity, and inclusion: current efforts often fail to deliver the transformative change we claim to want. DEI training is frequently limited by the very biases it seeks to challenge, sometimes reinforcing assumptions rather than…
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IP Unit: Intervention Plan
My proposed intervention is designed for first year MA Performance: Screen students at Central Saint Martins, as part of Unit 4A, which explores community and collaboration in filmmaking practices. During this unit, students work with external partners to create films. The organisations they collaborate with include older people at Age UK Lewisham and Southwark, queer…
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Blog Post 2: Faith, Religion and Belief
On starting this unit, the area I felt most apprehensive about engaging with was faith, religion and belief. This stems from challenging personal experiences around religion, specifically Christianity, in education settings. I grew up in a non-religious household, but with culturally Catholic heritage on my mum’s side, as she is Italian. My parents never baptised…